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The painting's drama is heightened by its composition and details.

Some reactions hold additional symbolism: Peter holds a knife behind his back that he will later use to cut off an ear of a soldier attempting to arrest Christ. Judas, who is next to Peter, tightly grips the purse with the reward he received for betraying Jesus with one hand, while he reaches toward a dish with the other.

When painting The Last Supper Leonardo used an experimental technique, working with tempera and oil paint. The experimental technique combined with the humidity and the dampness of the location led to the quick deterioration of the painting. Over the centuries, the painting suffered additional damage.

Due to its poor condition, the painting underwent a major restoration that began in Still, some praised the recovery of many details, like the food on the table and the facial expressions. It is one of the world's most recognizable paintings.

Copy of Leonardo's The Last Supper | Works of Art | RA Collection | Royal Academy of Arts

The work is presumed to have been started around —96 and was commissioned as part of a plan of renovations to the church and its convent buildings by Leonardo's patron Ludovico Sforza, Duke of Milan. The painting represents the scene of the Last Supper of Jesus with his apostles, as it is told in the Gospel of John, Leonardo has depicted the consternation that occurred among the Twelve Disciples when Jesus announced that one of them would betray him. Due to the methods used, a variety of environmental factors, and intentional damage, very little of the original painting remains today despite numerous restoration attempts, the last being completed in The theme was a traditional one for refectories, although the room was not a refectory at the time that Leonardo painted it.

The main church building had only recently been completed in , but was remodeled by Bramante, hired by Ludovico Sforza to build a Sforza family mausoleum. The painting was commissioned by Sforza to be the centerpiece of the mausoleum. The lunettes above the main painting, formed by the triple arched ceiling of the refectory, are painted with Sforza coats-of-arms. The opposite wall of the refectory is covered by the Crucifixion fresco by Giovanni Donato da Montorfano, to which Leonardo added figures of the Sforza family in tempera.

These figures have deteriorated in much the same way as has The Last Supper. Leonardo began work on The Last Supper in and completed it in —he did not work on the painting continuously.

The beginning date is not certain, as the archives of the convent for the period have been destroyed, and a document dated indicates that the painting was nearly completed at that date. One story goes that a prior from the monastery complained to Leonardo about the delay, enraging him.

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He wrote to the head of the monastery, explaining he had been struggling to find the perfect villainous face for Judas, and that if he could not find a face corresponding with what he had in mind, he would use the features of the prior who complained. The Last Supper specifically portrays the reaction given by each apostle when Jesus said one of them would betray him.

All twelve apostles have different reactions to the news, with various degrees of anger and shock. There are three very good reasons why Leonardo was likely not depicting Mary Magdalene. Although she was present at the event, Mary Magdalene wasn't listed among the people at the table in any of the four Gospels.

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According to Biblical accounts, her role was a minor supporting one. She wiped feet. John is described as eating at the table with the others. Late 15th-century Catholic Rome was not a period of enlightenment with regard to competing religious beliefs.

The Last Supper

The Inquisition began in the late 12th century France. The most famous victim of this office was in , Leonardo's fellow scientist Galileo Galilei. Leonardo was an inventor and experimenter in all things, but it would have been worse than foolhardy for him to risk offending both his employer and his Pope. There is controversy over whether Leonardo was gay or not.

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Whether he was or wasn't, he certainly devoted more attention to male anatomy and beautiful males in general than he did to female anatomy or females. There are some rather sensuous young men depicted in his notebooks, complete with long, curly tresses and modestly downcast, heavy-lidded eyes. The faces of some of these men are similar to that of John. However, it is a work of fiction and a creative tale woven by Dan Brown based on a bit of history that goes well above and beyond the historical facts. Share Flipboard Email. Updated August 07, Looking across the picture from left to right:.

Bartholomew, James Minor, and Andrew form the first group of three.

Last Supper

All are aghast, Andrew to the point of holding his hands up in a "stop" gesture. The next group is Judas, Peter, and John. Judas's face is in shadow and he is clutching a small bag, perhaps containing the 30 pieces of silver he received for betraying Christ. Peter is visibly angry, and a feminine-looking John seems about to swoon.

Christ is in the center, the calm in the midst of the storm. Finally, Matthew, Thaddeus, and Simon comprise the last group of three figures, Matthew and Thaddeus turned away to Simon for explanations, but their arms are stretched out towards Christ. Mary Magdalene wasn't at the Last Supper. It would have been blatant heresy for Da Vinci to paint her there.